There is a lot to see and do this weekend in the Bay Area as — ready or not! — the holiday arts season begins to awaken.
Here is a partial rundown.
Smuin Xmas show returns, with boa
One of the Bay Area’s most beloved Christmas dance traditions is returning for a five-week run at several area venues. We’re talking about Smuin Contemporary Ballet’s annual “Christmas Ballet” program, a joyous mix of works ranging from elegant to sassy and silly and touching on styles including traditional and contemporary ballet, jazz, tap, swing and more. This year’s show includes world premiere numbers by company artistic director Amy Seiwert and former Smuin choreographer Nicole Haskins. Also in the program are classical dance favorites by company founder, the late Michael Smuin, including “Bach Magnificat,” “Gloucestershire Wassail,” and “Licht bensh’n,” as well as some of his more playful works, including “Christmas Island,” “Droopy Little Christmas Tree” and, of course, “Santa Baby,” a piece that features what the company bills as the “world’s longest feather boa.”
The program lands at Walnut Creek’s Lesher Center for the Arts for performances at 2 and 7:30 p.m. Nov. 18 and 2 p.m. Nov. 19. Future performances include Dec. 1-2 at the Sunset Center in Carmel, Dec. 7-10 at the Mountain View Center for the Performing Arts and Dec. 14-24 at the Yerba Buena Center for the Arts in San Francisco. A LGBTQ+ Night performance on Dec. 19 at YBCA features popular San Francisco drag queen Lady Camden (a star of Season 14 of “RuPaul’s Drag Race”).
Details: $25-$119, find a complete schedule, tickets and more information at www.smuinballet.org.
— Bay City News Foundation
Classical picks: Climate symphony; Jupiter String Quartet
The classical music scene continues to innovate and engage – here are just a few of the Bay Area events coming our way.
“From the Edge”: This weekend’s San Francisco Symphony contributions to the statewide California Festival begins with “From the Edge,” with music director Esa-Pekka Salonen leading the Symphony’s first performances of Gabriella Smith’s climate-inspired “Breathing Forests.” Two Stravinsky works, the “Octet for Winds and Brass,” and “Les Noces,” featuring vocal soloists Lauren Snouffer, Kayleigh Decker and Paul Appleby, complete the program. Details: 7:30 p.m. Nov. 18-19; Davies Symphony Hall; $25-$75; sfsymphony.org.
“Rodelinda” in concert: Under conductor Harry Bicket, the English Concert’s 2021 recording of “Rodelinda” earned rave reviews. Now Bicket and company return to UC Berkeley with a live concert performance of Handel’s opera, featuring Lucy Crowe in the title role; the cast also includes countertenors Iestyn Davies and Aryeh Nussbaum Cohen, along with tenor Eric Ferring, mezzo-soprano Christine Rice, and bass-baritone Brandon Cedel. Details: 3 p.m. Nov. 19, Zellerbach Hall, UC Berkeley; $39-$142; calperformances.org.
New Music galore: The Other Minds Festival returns in its 27th installment this week, with a full lineup of new and experimental music, including appearances by innovators Morton Subotnick, Sarah Cahill, Paul Dresher, and others. Details: Through Nov. 18, Taube Atrium Theater, Nov. 19, Gray Area, San Francisco; $15-$50 events, $50-$160 season passes; otherminds.org.
“Elixir” at SF Opera: Beginning with “The (R)evolution of Steve Jobs” and wowing audiences with this month’s “Omar,” it’s been an outstanding fall season at San Francisco Opera, and the company is capping it off with “The Elixir of Love.” Donizetti’s delectable comedy opens Sunday with tenor Pene Pati as the lovestruck Nemorino; conductor Ramón Tebar makes his company debut. Details: Nov. 19 through Dec. 9; War Memorial Opera House, San Francisco; in person $26-$414; livestream $27.50; sfopera.com.
Jupiter to Kohl: Music at Kohl Mansion, now in its 21st season, welcomes the acclaimed Jupiter String Quartet this Sunday in a program of works by Beethoven, Elizabeth Maconchy, Nathan Shields and Carlos Simon. Details: 7 p.m. Nov. 19; Kohl Mansion, Burlingame; $58 adult, $55 seniors, $25 30 and under; musicatkohl.org.
— Georgia Rowe, Correspondent
The Dickens of a holiday show
We have a hunch that living in a Dickens novel would probably be nowhere near as fun as hanging out at the annual Daly City holiday event the legendary author has inspired. The Great Dickens Christmas Fair and Victorian Holiday Party, to use the event’s proper full name, returns to the Cow Palace this weekend, with its large and bustling re-creation of Victorian-era London. The attraction is chock full of attractions for adults and kids. The older set can enjoy port and chocolate tastings, sip their way through a high tea, tackle a Sherlock Holmes Experience mystery, knock back a pint or two at the Jekyll and Hyde Pub or somewhat naughtier Mad Sal’s Dockside Ale House, and marvel at the wide array of performances taking pace on seven stages, form Irish singers to Bedouin belly dancers to comedians and jugglers to actors portraying scores of Dickens-created characters.
For the young ‘uns, there is a self-guided Children’s Tour of London, as well as opportunities to meet Father Christmas and the popular Punch and Judy puppet shows. Most of the entertainment and interactive stuff going on, for that matter, is suitable for both kids and adults. And of course, there are all kinds of British delicacies to sample, from fish and chips and bangers and mash to meat pies and all manner of cookies, chocolate and other sweet treats, as well as a full range of liquid refreshments. And, yes, there are knickknacks and other items for sale for holiday shoppers.
Details: Opens Nov. 18 and runs 10 a.m. to 6 p.m. Saturdays and Sundays (plays the Friday after Thanksgiving) through Dec. 17; Cow Palace, 2600 Geneva Ave., Daly City; daily tickets run $25-$45 ($18-$30 after 3 p.m.), with kids under 5 admitted free; full-run pass, $160; dickensfair.com
— Bay City News Foundation
Guys, dolls and one crazy bet
San Francisco Playhouse isn’t whisking audiences off to the North Pole or Bedford Falls for the holidays. Instead, the company is offering a ticket to 20th-century New York, where some hard-boiled gangsters, gamblers and entertainers of the night prove they, too, can carry a tune.
Yes, the company is presenting “Guys and Dolls,” the iconic musical by Frank Loesser, Jo Swerling and Abe Burrows, which has been a popular stage staple since it debuted on Broadway in 1950. Many know the story from the 1955 film version starring Marlon Brando and Frank Sinatra.
Now S.F. Playhouse is reviving the musical, which centers a high-rolling gambler wooing an uptight missionary in hopes of winning a bet, and a burlesque performer trying to get her beau to settle down. Yes, it’s an old tale often told, but when you have songs like “Luck Be a Lady,” “Sit Down, You’re Rocking the Boat,” and “I’ve Never Been in Love Before,” setting the pace, it’s hard to go wrong. Helmed by company artistic director Bill English, “Guys and Dolls” begins in previews this week and runs through Jan. 13.
Details: Performances at 450 Post St., $15-$125; www.sfplayhouse.org.
— Randy McMullen, Staff
